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Cold and raw

Well, so much for the warm March we were anticipating. The weather has been rainy, cold, and raw, with stiff winds. My fur-hooded parka is longing for the closet -- or I am longing to send it there. Still no jobs are on the horizon for J. or our son. Both had a flutter of activity early in their searches, but early hope and enthusiasm have petered out. Our home is crying out for painting, decluttering, new furniture, and rearrangement. But that's not happening. Not soon, anyway. There is disorder everywhere I glance. We find ourselves in a rather gray place, without definition, and colorless. Easter is trundling toward us, but even I seem unable to anticipate it. If it would warm up, just a little, I think we would all feel better!

No comment (for a change)!

One of my Lenten practices for this year has been to "sign off" Facebook until after Easter. I sent a little farewell message to all my friends, wished them a Holy Lent, and moved my little Facebook icon to the last screen on my cell phone, where, theoretically, I will forget to look at it.  I unpinned Facebook from my taskbar. I am now Facebookless. Don't get me wrong: I adore Facebook. I love the interaction with people I don't see often -- or ever -- (as well as with people I do). But, for me, it had become a terrible time-waster, and a distraction from other things that need doing. What's more, it kept my mind too busy all the time. I "had" to catch up with postings; I "had" to share lots of posts; and, worst of all, I "had" to have an opinion on everything I saw. I got tired of having an opinion.  And, let's face it, my (predictably liberal) opinions are a surprise to no one, especially to me. I got tired of the noise

Candlemas, and other suburban fantasies

Although I admit to being a bookworm, most of the books I had during my undergrad and graduate-school years eventually found their way into the public library's book sale (because am I ever going to read Beowulf in Anglo-Saxon again? Seriously, I could hardly read it the first time). One of the few books I've saved is called English Villagers of the Thirteenth Century , by George C. Homans. I love this book, and I actually do refer to it, usually every time I find myself craving a simpler life in a more bucolic setting than the suburbs. There's something reassuring in the recurring feasts, fasts, and labors of the medieval agricultural year, and it comforts me to read about mead-making (or whatever) whilst riding on the commuter train listening to a woman yelling at her truculent teenager on her cell phone.  Was it really simpler in the old days? I have no idea, but that's my fantasy - rising early to watch the sun rise, drinking coffee on the porch at first cock-crow

After reading Denise Levertov

And from the cross he finds me, his gaze glassy, dimming (I'm crouching, hiding myself behind a nearby scrubby hillock), and says, words catching in his throat (and after a raspy, rattling inhale, one of his last?): "No words are needed. Feed my sheep."

Maxfield Parrish sky

Image
I had a flash of grace tonight as I stepped out of the commuter train onto the platform. Usually, by Friday night, I'm in a vegetative state. Things are very unsettled at work -- we're in the midst of major changes in personnel and workflows, and many people are anxious about the changes they sense are coming. One staff member is retiring at the end of the month; two others have gone on leave for various reasons; yet another is hoping to retire in a few months.None of the retiring people, unfortunately, are me. But I digress.  After days of wind, low clouds and cold fog, when the train pulled away I had a breathtaking sunset view to the west: the lucid, clear turquoise sky, still illuminated against bare trees in the foreground. It was a blaze of blue that I wasn't expecting at the end of a trying week, and  a shade of blue that always reminds me of a Maxfield Parrish sky, as in the painting at left.  Maxfield Parrish was a 20th-century Philadelphia artist and illust